Gabriel Fauré
Berceuse op. 16
Alongside weighty chamber music works such as piano quartets and violin sonatas, Gabriel Fauré also wrote several charming miniatures for violin and piano. Among these is his Berceuse op. 16 in D major, which fast became one of his best-known pieces following its first performance in 1880; countless arrangements were published.
Its melodic subject matter and colourful writing for the piano are reminiscent of Fauré’s Violin Sonata No. 1 in A major, which he had composed shortly before. This Urtext edition is the first edition to make use of the autograph sketches of the original version for violin, as well as of the manuscript of Fauré’s own orchestration.
Read more about this edition in the Henle Blog.
About the Composer
Gabriel Fauré
Representative exponent of French music around 1900. His creative work is centered around the art song, piano music (nocturnes, barcarolles, impromptus, valse-caprice), and chamber music – alongside other genres.
About the Authors
Dominik Rahmer (Editor)
Dr. Dominik Rahmer, born in 1971 in Mainz, studied musicology, philosophy and maths in Bonn. He did his Magister Artium in 1999 and his doctorate in 2006 with a thesis on the music criticism of Paul Dukas.
From 2001 to 2011 he was employed at Boosey & Hawkes/Bote & Bock in Berlin, where he also worked on the Critical Edition of the Works of Jacques Offenbach (OEK). Since 2011 he has been an editor at G. Henle Publishers in Munich, with a particular focus on French and Russian music and works for wind instruments.
Frank Peter Zimmermann (Fingering and bowing for Violin)
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