Peter Ilich Tchaikovsky
Chanson triste op. 40 no. 2
In Western Europe and soon thereafter in America, Peter Tchaikovsky became perhaps the best-known, most fêted of all Russian composers. In his extensive piano oeuvre, he provided a significant contribution to the sophisticated salon music of the Romantic period. The sweetly wistful “Chanson triste” from the “Twelve Pieces of Moderate Difficulty” op. 40 from 1878 is of such cantabile character that it could be described as a song without words. As the most popular and most important piece from op. 40, it is presented here in a separate edition. With its very moderate level of difficulty, the piece is suitable for use in lessons already at an early stage.
About the Composer
Peter Iljitsch Tschaikowsky
Most important and first professionally trained Russian composer of the nineteenth century; main works include operas, ballet music, six symphonies, three piano concerti, and one violin concerto, as well as songs, chamber music, and piano music.
| 1840 | Born in Votkinsk on May 7, the son of a mining engineer. |
| 1849–59 | Educated as an attorney. |
| 1861–65 | Study of music; he numbers among the first graduates of the St. Petersburg Conservatory. Piano studies with Anton Rubinstein. |
| 1866–76 | He relocates to Moscow to teach harmony, instrumentation, and free composition at what later became the Moscow Conservatory. Composition of Symphonies No. 1 through 3 (Opp. 13, 17, 29), the Piano Concerto No. 1 in B-flat minor, Op. 23, the three string quartets (Op. 11 in 1871, Op. 22 in 1874, Op. 90 in 1876). |
| 1868–76 | Active as a reviewer. He attends the premiere in Bayreuth of Wagner’s “Der Ring des Nibelungen” in 1876. |
| from 1877 | Travels at home and abroad. Beginning of patronage from Nadezhda von Meck. Composition of the Symphony No. 4 in F minor, Op. 36, premiered in Moscow in 1878. Premiere of the ballet “Swan Lake,” Op. 20. |
| 1879 | Premiere in Moscow of “Eugene Onegin,” his best-known and most important opera. |
| 1884 | Premiere in Moscow of “Mazeppa.” |
| from 1887 | Regular performances as conductor of his and others’ work. He is regarded abroad as the most important exponent of Russian music |
| from 1888 | Granted an annuity for life by the Tsar. |
| 1888 | Composition and premiere in St. Petersburg of the Symphony No. 5 in E minor, Op. 64; fate motive appears as a kind of “idée fixe.” |
| 1892 | Premiere of the ballet “The Nutcracker,” Op. 71. |
| 1893 | Composition of the Symphony No. 6 in B minor (“Pathétique”), Op. 74, which is premiered in St. Petersburg in October that year. |
| 1893 | Death from cholera in St. Petersburg on November 6. |
About the Authors
Klaus Schilde (Fingering)
Prof. Klaus Schilde, born in 1926, spent his childhood in Dresden. There he was greatly influenced by Walter Engel, who taught him the piano (Kodaly method), composition and violin. From 1946–1948 he studied at the music conservatory in Leipzig with Hugo Steurer. After moving to the west in 1952 he studied with Walter Gieseking and Edwin Fischer, as well as with Marguerite Long, Lucette Descaves and Nadia Boulanger in Paris.
Schilde won numerous prizes. From 1947 onwards he gave concerts as a soloist and chamber musician on almost every single continent with renowned orchestras. He taught at the music conservatories in East Berlin Detmold, West Berlin, Munich, Tokyo (Geidai) and Weimar. From 1988–1991 he was President of the Staatliche Hochschule für Musik und Theater in Munich, where he also taught for decades as a professor. There are numerous radio and television broadcasts with Klaus Schilde as well as CD recordings. Schilde has contributed fingerings to almost 100 Henle Urtext editions.
Prof. Klaus Schilde passed away on 10 December, 2020.
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Further editions of this title
Further editions of this title
