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Difficulty (Explanation)
Other titles of this difficulty
Bell Ringing op. 54,6
3 easy
Watchman's Song op. 12,3
3 easy
Waltz op. 12,2
3 easy
Arietta op. 12,1
4 medium
Berceuse op. 38,1
4 medium
Remembrances op. 71,7
4 medium
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About the Composer

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Edvard Grieg

Most important Norwegian composer of the nineteenth century and promoter of Norwegian folk music. His lyrical character pieces in particular are well known.

1843Born in Bergen on June 15, the son of a merchant and British consul; early piano lessons with his mother, who was a pianist.
1858–62Studies at the Leipzig Conservatory.
1862Concerts in Norway.
1863Copenhagen, with the support of Niels W. Gade.
from 1864Interest in Norwegian folk music, which finds its way into his compositions.
1866Breakthrough with a concert of Norwegian music. Conductor of the Philharmonic Society.
1867The first of a total of ten volumes of Lyric Pieces for piano, Op. 12, with relatively simple piano settings.
1868/69Composition of the Piano Concerto in A minor, Op. 16, which is based on Schumann’s piano concerto.
1869“25 Norwegian Folk Melodies and Dances,” Op. 17, for piano.
1873Begins work on the opera “Olav Trygvason,” Op. 50, after Bjørnson, which is never completed.
1874Composition stipend from the state.
1874/75Composition of incidental music to Ibsen’s “Peer Gynt,” Op. 23, the basis for the Peer Gynt Suites.
1876Attends the premiere of Wagner’s “Der Ring des Nibelungen” in Bayreuth.
1880–82Conductor of the “Harmonien” musical society in Bergen. Thereafter he accepted no other positions.
1883Visit to Bayreuth; he hears Wagner’s “Parsifal.”
1884Composition of “From Holberg’s Time,” Op. 40, his most popular work.
from 1885He moves into his villa “Troldhaugen” (near Bergen). Composition and revision of older works in spring and summer, concert tours in fall and winter.
1891Composition of the “Lyric Suite,” Op. 54, orchestrated in 1905.
1907Death in Bergen on September 4.

© 2003, 2010 Philipp Reclam jun. GmbH & Co. KG, Stuttgart

About the Authors

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Sylvia Hewig-Tröscher (Editor, Fingering)

Sylvia Hewig-Tröscher studied piano at the Hochschule für Musik in Munich under Erik Then-Bergh and Hermann Reutter, as well as under Louis Hiltbrand at the Conservatoire de Musique in Geneva. 1977 she finished the „ Classe de Virtuosité“ in Geneva with the Premier Prix avec distinction and received the Henry Broliet prize as well as being awarded the GEDOK prize. Also organ studies under Lionel Rogg finishing with the „Diplome d’Orgue“. Masterclasses with George Halmos, Klaus Schilde, Karl Seemann and Wilhelm Kempff, followed, as well as with the cembalo player Li StadelmannIn. 1977 the piano trio Orfeo was established.

Since then, as a solo pianist and chamber musician, her concert activities have led her to Germany, Switzerland, France, Italy, Austria, America, Egypt, India, Korea, and Japan. The list of recordings includes Bayerischer Rundfunk and Südwestfunk Freiburg, Baden-Baden, record and CD recordings of (among others) seldom played works of the classical and romantic periods with Musica Bavarica. Further CD recordings including modern music and first performances with Calig, Symicon, Bayer Records, Arts Magnamedia, and Sony, also co-production of the Bayreischer Rundfunk and Deutscher Musikrat.

Masterclasses in Villa Marteau, Marktoberdorf, Hammelburg, Brixen, Castelnuovo di Garfagnana and New York. Today Sylvia Hewig-Tröscher works as a professor of piano and vice president of the Hochschule für Musik and Theater Munich.

Product Safety Informations (GPSR)

G. Henle Verlag

Here you can find the information about the manufacturer of the product.

G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com

At The Piano is an excellent series for students and teachers. Those who fancy learning a major composer’s ‘piano favourites’ will really enjoy working their way through each book. G. Henle have combined a scrupulous ‘pure’ score with plenty of valuable information, offering a fascinating glimpse into the history and style of each composer.

Melanie Spanswick, 2018

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