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Duo "Duet with two Obligato Eyeglasses" for Viola and Violoncello E flat major WoO 32
Duet for two Violins A major WoO 34
Canon for Violoncello A flat major WoO 35
Duo for Violin and Violoncello, Fragment Unv 8
String Trio E flat major op. 3
Serenade D major op. 8
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About the Composer

Ludwig van Beethoven

No composer has had as profound and sustained an influence on immediately following generations to the present day as Beethoven. His instrumental music, especially his symphonies, served as touchstones for symphonic composition throughout the nineteenth century. The extraordinarily high standard of his music and his relative independence as a freelance composer have led to his being characterized as the greatest composer of all time.

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About the Authors

Ernst Herttrich (Editor)

Dr. Ernst Herttrich, born in 1942 in Würzburg, read musicology, history, German and theology at the universities in Würzburg and Cologne. In 1970 he earned his doctorate in Würzburg with a study of the expression of melancholy in the music of Mozart.

From 1970 to 1990 he was an editor at G. Henle Publishers in Munich, after which he was Head of the Beethoven Complete Edition for over 15 years. In 1999 he took over as Head of the Beethoven-Haus Publishers, and from 2001 was made Head of the Beethoven-Archiv, the research centre at the Beethoven-Haus.

He has been a visiting professor at Meiji Gakuin University in Tokyo and has undertaken several lecture tours both there and to Kyoto. His research interests include source studies, editorial techniques and music history. Herttrich’s publicat
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Robert D. Levin (Editor)

Emil Platen (Editor)

Prof. Dr. Emil Platen, born in 1925 in Düsseldorf, did his school-leaving certificate in April 1946 after have done fatigue duty and military service in the Navy. He began studying musicology at the University of Cologne for two semesters, before changing to viola, composition (with Wilhelm Maler) and choral direction (with Kurt Thomas) at the Music Academy in Detmold. Following his exam as a choral director (1950) he continued his studies of musicology and in 1957 received his doctorate from the University of Bonn with a thesis entitled “Chorische Choralbearbeitungen von Johann Sebastian Bach”.

He spent several years working as a research associate at the Beethoven-Archiv in Bonn. As a “lecturer for practical music”, he was then put in charge of Bonn University’s musical activities, and
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Egon Voss (Editor)

Dr. Egon Voss, born in 1938 in Magdeburg, did a secondary school teaching degree in Detmold (Staatsexamen in 1961) and studied German, philosophy and pedagogy in Kiel and Münster (Staatsexamen 1964). He subsequently studied musicology in Cologne, Kiel and Saarbrücken and completed his doctorate in 1968.

In 1969 Voss became a scholar at the Richard Wagner Complete Edition in Munich, since 1981 he has been its Head. From 1989 to 1990 he was the dramaturg at the Théȃtre la Monnaie/de Munt Brüssel, and from 1996 to 2002 a lecturer at the post-graduate programme “Textkritik” at the Ludwig-Maximilians-Universität in Munich. Voss is a member of the advisory board for the edition “Richard Wagner, Sämtliche Briefe” as well as the journals “wagnerspectrum” and “The Wagner Journal”. He has published
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Product Safety Informations (GPSR)

G. Henle Verlag

Here you can find the information about the manufacturer of the product.

G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com

La qualité des préfaces est un sacré atout, en particulier pour le grand nombre d’oeuvres plutôt méconnues qui composent ce volume.

Crescendo Magazine, 2020

Die Studien-Edition ist insgesamt sehr benutzerfreundlich gestaltet (...). Hervorzuheben sind zudem die in drei Sprachen verfassten Vorworte, welche wichtige Informationen zur Werkgenese vermitteln. Ferner besticht das Layout der Partituren durch ein ansprechendes und klares Notenbild sowie durch ein einheitliches Format. (...) Die 13 Bände umfassende Edition im handlichen Schuber, die neben den Werken für Streichinstrumente auch gemischte Besetzungen aus Bläsern und Streichern enthält, ermöglicht dem Benutzer eine umfassende Beschäftigung mit dem vielschichtigen Schaffen Beethovens auf diesem Gebiet (...) und empfiehlt sich gegenüber der Gesamtausgabe als praktische und preisgünstige Alternative.

Die Tonkunst, 2021

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