

Robert Schumann
Fairy Tales op. 132 for Clarinet in B flat (Violin), Viola and Piano
No romantic poetry and no concrete fairytale figure occasioned Schumann to write this composition. Today, we can assume that the title of the pieces, originally entitled “Romances”, was merely supposed to conjure up a poetic and fairytale world.
Presumably inspired by Mozart’s “Kegelstatt” Trio K. 498, Schumann occupied himself intensively with plans for a work for this distinctive combination of instruments, whose “unique effect” enthused him. Yet almost three years passed before he sent a publisher these works that he had “written with great pleasure”. The first edition contained a violin part as an alternative to the clarinet. As this part was authorized by Schumann, it is also included in our Urtext edition.
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About the Composer

Robert Schumann
Connected with his oeuvre is the term he coined, Poetic Music, with which he strove for a fusion of literature and music, a paradigm particularly seen in his lyric piano pieces prior to 1839. Thereafter he devoted himself to other genres (song, symphony, chamber music, among others).
About the Authors

Ernst Herttrich (Editor)
From 1970 to 1990 he was an editor at G. Henle Publishers in Munich, after which he was Head of the Beethoven Complete Edition for over 15 years. In 1999 he took over as Head of the Beethoven-Haus Publishers, and from 2001 was made Head of the Beethoven-Archiv, the research centre at the Beethoven-Haus.
He has been a visiting professor at Meiji Gakuin University in Tokyo and has undertaken several lecture tours both there and to Kyoto. His research interests include source studies, editorial techniques and music history. Herttrich’s publicat

Klaus Schilde (Fingering)
Schilde won numerous prizes. From 1947 onwards he gave concerts as a soloist and chamber musician on almost every single continent with renowned orchestras. He taught at the music conservatories in East Berlin Detmold, West Berlin, Munich, Tokyo (Geidai) and Weimar. From 1988–1991 he was President of the Staatliche Hochschule für Musik und Theater in Munich, where he
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本书目其他版本
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