搜索商店:

  • 作曲家
  • 乐器配置
  • 难度等级
  • 产品
搜索商店

Content/Details

Intermezzo and Scherzo

About the Composer

Read more...

Claude Debussy

Most important French composer around 1900, whose music, primarily characterized by its sound, exhibits profound innovations. His oeuvre bears a close relationship to Symbolism.

1862Born in Saint-Germain-en-Laye on August 22.
1872–84Studies at the Conservatoire de Paris. During this time, he travels with the family of Nadezhda von Meck to Switzerland, Italy, Vienna, and Russia, where he becomes acquainted with Russian and Gypsy music.
1884Wins the Prix de Rome with his cantata “L’Enfant prodigue.” Thereafter resides in Rome until 1887.
1887–89Songs, “Cinq Poèmes de Baudelaire.”
1888/89Visit to the Bayreuth Festival; criticism of Wagner.
1889Exposition universelle (World Exposition) in Paris, where he learns about East Asian music, which influences his style.
1890Connection to Mallarmé and his circle.
1891/1903Series of songs, “Fêtes galantes,” after Verlaine.
1891–94Orchestral work “Prélude à l’après-midi d’un faune” (“Prelude to the Afternoon of a Faun”) with arabesque-like melodies.
1897–99Nocturnes for orchestra and women’s voices.
1901Beginning of his activity as a music critic.
1902Performance of the opera “Pelléas et Mélisande” after the Symbolist drama by Maeterlinck, which despite criticism spells his breakthrough.
1903–05Orchestral work “La Mer” uses symphonic principles and “Impressionist” tonal language.
1905–07Books one and two of “Images” for piano.
1906–08“Children’s Corner,” children’s pieces for piano.
1909–10/11–1913 Books one and two of the “Préludes” for piano; the programmatic titles of these character pieces, some of which are quite esoteric, are listed at the end of each one.
1913Songs “Trois poèmes de Stéphane Mallarmé.”
1915–17Chamber music sonatas, drawing from the French tradition of the eighteenth century.
1918Death in Paris on March 25.

© 2003, 2010 Philipp Reclam jun. GmbH & Co. KG, Stuttgart

About the Authors

Ernst-Günter Heinemann (Editor)

Dr. Ernst-Günter Heinemann, born in 1945 in Bad Marienberg (Westerwald), completed his schooling in Gießen and read musicology, philosophy and German in Marburg and Frankfurt/Main and also for some time Protestant church music. He did his doctorate on “Franz Liszts geistliche Musik. Zum Konflikt von Kunst und Engagement”.

From 1978–2010 Heinemann worked as an editor at G. Henle Publishers (in 1978 in Duisburg, from 1979 onwards in Munich). He edited a great many Urtext editions for the publishing house, including “Das Wohltemperierte Klavier”, Volume 1 by Bach and all of Debussy’s piano works. In addition, he wrote essays on Debussy, Grieg, Liszt, Mendelssohn and questions concerning general editing, as well as giving seminars on editorial practice for musicology students in Munich.

Read more...

Jeffrey Solow (Fingering and bowing for Violoncello)

Prof. Jeffrey Solow was born in Los Angeles; he earned a degree in Philosophy “magna cum laude” from UCLA while studying violoncello with and then assisting the legendary Gregor Piatigorsky.

Solow has toured throughout North America, Europe, Latin America and Asia as a recitalist, soloist, chamber musician and teacher. Solow performed more than 40 works with orchestras throughout the United States, in Europe and in Asia and he has been guest artist at many national and international chamber music festivals. Among his many recordings two have received Grammy Award nominations. “Strad”, “Strings”, and “American String Teacher” magazines have published his articles and reviews, he is president of Violoncello Society, Inc. of New York and is a past president of the American String Teachers Association. Jeffrey Solow is professor of cello at Temple University in Philadelphia.

© Photo: Patrick Snook

Read more...

Eckart Sellheim (Fingering Piano)

Prof. Eckart Sellheim received his education in Germany and Switzerland, including with Adolf Drescher and Jakob Gimpel. After teaching for many years in Cologne and Ann Arbor, Michigan (USA) from 1989 to 2008 he was Professor and “Director of Collaborative Piano” at Arizona State University in Tempe (USA) as well as a lecturer/teacher of fortepiano at the music conservatory in Trossingen until summer 2006. He has given numerous master-classes in piano, chamber music, lied accompaniment, fortepiano and historical performance practice in Europe and the USA, and is a jury member at international music competitions. He has toured around Europe, America, Latin America, the Caribbean, the Middle East and Africa.

Sellheim’s recordings can regularly be heard on the radio in Germany and America; his discography encompasses more than 30 recordings as a soloist, lied accompanist and chamber musician, many of which were for CBS Sony with his brother and long-term duo partner, the cellist Friedrich-Jürgen Sellheim.

© Photo: Charly Leske

 

Product Safety Informations (GPSR)

G. Henle Verlag

Here you can find the information about the manufacturer of the product.

G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com

Meticulously edited by Jeffrey Solow, cellists will be delighted to discover these unfamiliar works.

Stringendo, 2011

推荐

autogenerated_cross_selling

€14.00 有货
本书目其他版本
Gabriel Fauré Violoncello Sonata no. 2 g minor op. 117
Editor: Fabian Kolb
Urtext Edition, paperbound
HN 1358

€19.50 有货

€19.50 有货
本书目其他版本
Gabriel Fauré Sicilienne op. 78
Editor: Cornelia Nöckel
Urtext Edition, paperbound
HN 1019

€8.50 有货

€8.50 有货
本书目其他版本