Frédéric Chopin

Mazurkas

Ewald Zimmermann (Editor)

Hans-Martin Theopold (Fingering)

Urtext Edition, clothbound

Piano solo

Detailed critical commentary
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页数 192 (VI+186), 尺寸 23,5 x 31,0 cm

重量 1002 g

HN 288 · ISMN 979-0-2018-0288-6

本书目其他版本

Further editions of this title

Urtext Edition, paperbound €38.50

Urtext Edition, clothbound €62.00

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Next to the polonaises and the waltzes, the mazurkas are the third dance form which Chopin cultivated in his music. They constitute the largest of these three groups, boasting nearly 60 pieces. Chopin made use of the mazurka genre from his childhood until the last years of his life. They testify not only to Chopin’s love for his native Poland, but also to the depth of the composer’s feeling for the mentality of his people. He took inspiration from the various types of mazurka found in different regions of Poland, but sublimated them into absolute music of the greatest elegance, refined harmonies and rhythmic power.

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Difficulty (Explanation)

Other titles of this difficulty

Mazurka f sharp minor op. 6,1

5 medium

Mazurka c sharp minor op. 6,2

5 medium

Mazurka E major op. 6,3

5 medium

Mazurka e flat minor op. 6,4

5 medium

Mazurka B flat major op. 7,1

5 medium

Mazurka a minor op. 7,2

5 medium

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About the Composer

Frédéric Chopin

Pianist and composer. His work is concentrated around piano music that enjoys extraordinary popularity and has become an integral part of the concert repertoire. His music influenced subsequent generations in France (Franck, Saint-Saëns, Fauré, Debussy) as well as Smetana, Dvořák, Balakirev, Grieg, Albéniz.

About the Authors

Ewald Zimmermann (Editor)

Dr. Ewald Zimmermann (1910–1998) studied the piano (Privatmusiklehrer-Examen with Eduard Erdmann) and musicology, doing a doctorate in the latter following his time as a soldier in World War II and subsequent time as a prisoner of war in Russia. In 1953 he became the first editor in the history of G. Henle Publishers, where he worked for 22 years alongside the founder of the publishing house, Günter Henle, in Duisburg, actively and deftly supporting the young company’s initial steps. Zimmermann was in charge of almost all of the Urtext editions that were produced in his time, himself editing several volumes, including all of Frédéric Chopin’s works for piano. Under his direction, the first scholarly catalogue of Chopin’s musical works of the time (Krystyna Kobylańska) was produced, issued

Hans-Martin Theopold (Fingering)

Prof. Hans-Martin Theopold, was born to a pastor’s family in Detmold on 22 April 1904, the youngest of five children. Even as a child he often played the organ in the “Marktkirche” and soon began to take piano lessons with Theodor Vehmeier. At the age of 17 he made his debut at the Landestheater in Detmold with Ludwig van Beethoven’s Piano Concerto in C major under Friedrich Quast (Herford). Following the successful completion of his schooling at the Gymnasium Leopoldinum in Detmold, he went on to study music and piano (main subject): from 1922–23 at the “Württembergische Hochschule für Musik” in Stuttgart (with Max Pauer, 1866–1945) and then from 1923–1928 at the “Staatliche Akademische Hochschule für Musik” in Berlin-Charlottenburg (with Richard Rössler, 1880–1962, and Waldemar Lütschg,

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G. Henle Verlag

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G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
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Frédéric Chopin

Mazurkas

Frédéric Chopin

Mazurkas

Content/Details

YouTube

About the Composer

Frédéric Chopin

About the Authors

Ewald Zimmermann (Editor)

Hans-Martin Theopold (Fingering)

Product Safety Informations (GPSR)

G. Henle Verlag

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本书目其他版本

本书目其他版本

本书目其他版本