Ludwig van Beethoven
Piano Sonata no. 24 F sharp major op. 78 (À Thérèse)
After a pause of four years, Beethoven returned to the piano sonata genre in 1809. Unlike its predecessor, the f-minor Sonata op. 57 (the “Appassionata”), this work strikes a new and lyrically cantabile tone that must have been the reason for its tradition-breaking two-movement structure; a slow middle movement would not have provided the necessary contrast to the outer ones. Just as unusual as the general character of opus 78 is its four-measure Adagio introduction; this does not directly refer to the subsequent motifs and themes, and serves no other purpose than to “conjure up the atmosphere of the entire sonata in our hearts” (Hugo Riemann).
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About the Composer

Ludwig van Beethoven
No composer has had as profound and sustained an influence on immediately following generations to the present day as Beethoven. His instrumental music, especially his symphonies, served as touchstones for symphonic composition throughout the nineteenth century. The extraordinarily high standard of his music and his relative independence as a freelance composer have led to his being characterized as the greatest composer of all time.
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