Joseph Haydn
Ser. 32, Vol. 4 | Arrangements of Folk Songs no. 269-364 Scottish and Welsh Songs for George Thomson
Kirsteen McCue
(mws-henle.person.role.HERAUSGEBE)
Complete Edition with critical report, clothbound
Voice and miscellaneous instruments
页数 349 (XXIII+326),
尺寸 25,5 x 32,5 cm, © 2004
重量 1789 g
HN 5922
·
ISMN 979-0-2018-5922-4
mws-henle.cms.title-works.headline
Folk Song Arrangements no. 269-364
Scottish and Welsh Songs for George Thomson
269. Shelah O’Neal
270. Good night and joy be wi’ ye
271. The braes of Ballochmyle
272. Jenny dang the weaver
273. The rock and a wee pickle tow
274. The parson boasts of mild ale
275. Tullochgorum
276. Johny Macgill
277. My Love’s a winsome wee thing
278. When she came ben she bobbit
279. Rise up and bar the door
280. O’er the moor amang the heather
281. Halloween
282. O bonny lass, will you lie in a barrack
283. Tibbie Fowler
284. Macgregor of Ruara’s lament
285. Happy Dick Dawson
286. The white cockade
287a. Cro Challin
287b. Cro Challin
288. Over the water to Charlie
289. The border widow’s lament
290. [Captain Okain]
291. Savourna deligh
292. Lochaber
293. Here awa there awa
294. Ar hyd y nos. The live long night
295a. The lamentation of Britain. [Cwynvan Brydain]
295b. The lamentation of Cambria
296. Gorhoffedd gwyr Harlech. The march of the men of Harlech
297. Blodau’r drain. The blossom of the thorn
298. Llwyn onn. The ash grove
299. Mantell Siani. Jenny’s mantle
300. Codiad yr hedydd. The rising of the lark
301. Hob y deri dando. Away, my herd, under the green oak
302. Venture Gwen. [Mentra Gwen]
303a. The red piper’s melody. [Digan y pibydd coch]
303b. Digan y pibydd coch. The red piper’s melody
304. Nos Galan. New Year’s night
305. Rhyfelgyrch Cadpen Morgan. Captain Morgan’s March
306. Erddigan Caer y Waun. The minstrelsy of Chirk Castle
307. Y gadly’s. The camp-palace – or, Leader’s tent oftener called, Of a noble race was Shenkin
308. Twll yn ei boch. The dimpled cheek
309. Blodau’r grug. The flowers of the heath
310. Dowch i’r frwydr. Come to battle
311. Castell Towyn. Towyn Castle
312. Irish Air. Pat & Kate
313. Torriad y dydd. The dawn of day
314. Yr hen erddigan. The ancient harmony
315. The sweet melody of North Wales. [Mwynen Gwynedd]
316. Grisiel ground. Crystal ground
317. My Nanie, O
318. The willow hymn. [Yr helyg gân]
319. Gala water
320. Winifreda
321. Lassie wi’ the gowden hair
322. Sir Patrick Spence
323. Codiad yr haul. The rising sun
324. Lady Owen’s favourite. [Maldod arglwyddes Owen]
325. The three captains
326. The Cornish May song
327. What ails this heart of mine
328. Ffarwel Ffranses. Farewell, Frances
329. Maltraeth
330. Dafydd y Garreg-wen. David of the White Rock
331. Eryri wen. The white mountains – or, Hoar cliffs of Snowdon
332. Blodau Llundain. The flowers of London
333. Troiad y droell. The whirling of the spinning wheel
334. The allurement of love. [Serch hudol]
335. The door clapper. [Y stwffwl]
336. The Britons. [Y Brython]
337. The Marsh of Rhuddlan. [Morva Rhydlan]
338. Ton y ceiliog du. The note of the black cock
339. [Lord Balgonie’s favourite]
340a. Johny Faw – or, The gypsie laddie
340b. Johny Faw
341. Fair Helen of Kirkconnell
342. Y bardd yn ei awen. The inspired bard
343. The pursuit of Love. [Dilyn serch]
344. The poor pedlar. [Y maelerwr]
345. The blossom of the honey suckle. [Blodeu’r gwynwydd]
346. War song of the men of Glamorgan. [Triban gwyr Morgannwg]
347. Mwynen Cynwyd. The melody of Cynwyd
348. Reged
349. The bend of the horse shoe. [Plygiad y bedol]
350. Loth to depart. [Anhawdd ymadael]
351. Wyres Ned Puw. Ned Pugh’s grand daughter
352. Hob y deri danno. Away to the oaken grove
353. Ffarwel jeuengetid. Adieu to my juvenile days
354. Y Cymry dedwydd. The happy Cambrians
355. Tros y garreg. Over the stone
356. The flower of North Wales. [Blodeu Cwynedd]
357. Pant corlant yr wyn – neu, Dafydd or Garreg-las. The lambs’ fold vale – or, David of the blue stone
358. New Year’s gift. [Calenig]
359. Cerdd yr hen-wr or coed. The song of the old man of the wood
360. Hoffedd Hywel ab Owen Gwynedd. The delight of Prince Hoel, son of Owen Gwyned
361. The departure of the king. [Ymdawiad y brenhin]
362. Happiness lost
363. The shepherd’s son
364. Hela’r ysgyfarnog. Hunting the hare
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Joseph Haydn
His immense oeuvre documents the profound changes in music history during the second half of the eighteenth century, leading to the emancipation of instrumental music. His most important genres are the symphony and the string quartet, where he cultivated the technique of motivic-thematic development; he made significant contributions to the instrumental concerto and to piano music; during the last years of his life, he composed his great oratorios. Opera and art song take on a rather subordinate significance.
1732 | Born in Rohrau, probably on March 31 (baptized on April 1). |
1737 or 1738 | His uncle Johann Mathias Franck takes him in, in order to oversee his musical education. |
around 1739/40 | For about 8–10 years, chorister at St. Stephen’s Cathedral in Vienna. |
from 1750 | He makes his living as a musician, teacher, and composer. |
1757–61 | Employed as music director by Count Morzin. He makes a name for himself as a composer: fifteen symphonies, piano sonatas, trios, divertimenti, string trios, wind partitas, string quartets Opp. 1 and 2. |
1761 | “Times of Day” Symphonies Nos. 6–8: “Le matin,” “Le midi,” “Le soir.” |
from 1761 | Employed by Prince Paul Anton at the Esterházy court, by Prince Nikolaus from 1762, by Paul Anton II from 1790–96, then by Nikolaus II, first as vice-Kapellmeister, then as Kapellmeister after 1766. |
1764–65 | Symphonies No. 22 in E-flat major, “Philosopher”; No. 30 in C major, “Alleluia”; and No. 31 in D major, “Hornsignal.” |
1766 | Prince Nikolaus Esterházy demands operas for the theater in his newly erected castle. Haydn’s operas are written primarily for special occasions, e.g., “La Canterina,” for the Kaiser’s visit in 1766. He composes many baryton pieces for Prince Nikolaus. |
1766–74 | Eighteen symphonies, including “La passione” in F minor (1768), “Lamentatione” in D minor (1770), “The Schoolmaster” in E-flat major (1774), “Trauer” (“Mourning”) in E minor (1772): expanded expressive range (six are in minor keys), more counterpoint. |
1768 | Premiere of “Lo speziale” on Goldoni’s libretto for the inauguration of the new opera house at Eszterháza. |
1770 | Premiere of the dramma giocoso “Le pescatrici.” After a ten-year hiatus, he writes the pioneering string quartets “6 Divertimenti” Op. 9, and Op. 17 (1771). |
1771 | Piano Sonata No. 20 in C minor. |
1772 | “Farewell Symphony” No. 45 in F-sharp minor, “6 Divertimenti (‘Sun Quartets’),” Op. 20, which are characterized by contrapuntal techniques (some have fugues as final movements). |
1775 | Premiere of the opera “L’incontro improvviso.” |
around 1775–78 | “Missa brevis sancti Joannis de Deo (‘Little Organ Mass’).” |
1776 | Prince Nikolaus calls for regular opera performances at Eszterháza. Haydn adjusts works imported from Vienna or Italy to the local taste. He moves from Eisenstadt to Castle Eszterháza, where he resides for ten months a year. Little instrumental music after 1776, often with integrated opera music. |
1777 | Premiere of “Il mondo della luna,” after Goldoni. |
1779 | Contact with the publisher Artaria, who distributes his compositions over the following decade. |
1781 | Premiere of the opera “La fedeltà premiata.” Missa Cellensis, “Mariazellermesse”; String Quartets, Op. 33 (‘Russian Quartets’), which are written “in a quite new and special way” (Haydn) after a rather long break in composing quartets and regarded as paradigmatic for Haydn’s “wit” in the sense of his playful engagement with the instruments. |
1782 | Premiere of “Orlando paladino.” He begins selling his compositions abroad as well; he has the Symphonies Nos. 76–78 and 79–81 (1783–84) printed in Paris. |
1783 | Cello Concerto in D major (Hob. VIIb: 2). |
1784 | Premiere of “Armida”; from this point he composes no more operas for the court. Piano Concerto in D major. |
1785–86 | Commission by Count d’Ogny to write six symphonies (the Paris Symphonies, Nos. 82–87) to be performed at the Concert de la Loge Olympique in Paris. |
1787–90 | String Quartets, Opp. 50, 54, and 55. After Nikolaus’ death, Prince Paul Anton II dismisses the entire court chapel; Haydn retains his office in name only. |
1791 | Composition of the opera “L’anima del filosofo ossia Orfeo ed Eurudice,” which never reaches the stage (posthumous performance in Florence in 1951). |
1791–92 | Stay in London, engaged by the concert manager Johann Peter Salomon. “6 Quartetti,” Op. 64; the first volume of his transcriptions of Scottish folk songs appears in 1792. Composition of the first six London Symphonies Nos. 93–98, including the Surprise Symphony No. 94. |
1792 | Sinfonia Concertante for violin, cello, oboe, bassoon, and orchestra in B-flat major. |
1794–95 | Second stay in London. Six London Symphonies Nos. 99–104, No. 104 has monothematic opening movement, “Military” Symphony No. 100 integrates Janissary music; sonata-rondo as a new form of final movement, e.g., in No. 102. |
1794 | Accession to power of Nikolaus II, who calls for a mass to celebrate the princess’s name day every year. Six new masses are written: the “Heiligmesse” in B-flat major and the “Kettledrum Mass” in C major (1796), the “Nelson Mass” in D minor/D major (1798), the “Theresienmesse” in B-flat major (1799), the “Creation Mass” in B-flat major (1801), and the “Wind Band Mass” in B-flat major (1802). |
1796 | Vocal setting of the initially instrumental version of “The Seven Last Words of Our Saviour on the Cross;” Trumpet Concerto in E-flat major. |
1797 | Emperor’s Hymn “Gott erhalte Franz den Kaiser” (“God Save Emperor Francis”) and the Emperor Quartet in C major, Op. 76 No. 3. |
1798 | Premiere of his oratorio “The Creation.” |
1801 | Performance of oratorio “The Seasons.” |
1809 | Dies in Vienna on May 31. |
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