Antonín Dvořák
Serenade E major op. 22 for String Orchestra
The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a very happy time for him both professionally and privately. He put his personal stamp on the five-movement composition by incorporating stylized Slavonic dances. The spirited finale captivates by restating themes from the previous movements. Since its premiere in 1876 the work, with its melodic richness and particular harmonic modulations, has enjoyed great acclaim from audiences and critics alike. Today it is among Dvořák’s most popular and most frequently performed compositions. As well as the autograph and printed editions, the composer’s copy of the printed score with autograph corrections and additions has been consulted for Henle’s Urtext edition.
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Antonín Dvorák
With Smetana he is the most famous Czech composer of the nineteenth century, contributing to the dissemination and appreciation of Czech music throughout the world. Among his around 200 works, encompassing all standard genres, are nine symphonies, fourteen string quartets, and twelve operas.
| 1841 | Born in Nelahozeves (Mühlhausen) on the Vltava River on September 8, the son of a butcher and innkeeper. |
| 1853 | Attends the training school in Zlonice; there he receives a comprehensive musical education from Josef Toman and the cantor Antonín Liehmann; subsequent education in Česká Kamenice (1856–57). |
| 1857–59 | Studies at the organ school in Prague. Until 1871 he will earn his living as a music teacher, organist, and violist. |
| 1861 | String Quintet No. 1 in A minor, considered his first work. |
| 1862 | Position as solo violist in the orchestra of the Bohemian Provisional Theater (conducted by Smetana, among others) |
| 1873 | Breakthrough with the premiere in Prague of his patriotic hymn “The Heirs of the White Mountain,” Op. 30. Employment at the private Prague School of Music. Several state scholarships. |
| 1874–77 | Organist at St. Adalbert church. |
| from 1876 | “Moravian Duets,” Opp. 20, 29, 32, and 38 (1876–77), “Slavonic Rhapsodies,” Op. 45 and the first series of “Slavonic Dances,” Op. 46 (both from 1878) enjoy great success. His fame abroad grows. |
| 1882 | Premiere of the opera “Dimitrij”, in the tradition of grand opera. |
| 1884 | First invitation to England, after which eight more will follow. |
| 1886 | Premiere of his oratorio “Saint Ludmila,” Op. 71. |
| 1891 | Professor of composition at the Prague Conservatory. |
| 1891–95 | Director of the National Conservatory of Music in New York. |
| 1893 | Premiere in New York of Symphony No. 9, “From the New World,” Op. 95 (American folkloric elements, cyclic techniques). |
| 1901 | Premiere in Prague of his most famous opera, “Rusalka.” |
| 1904 | Premiere in Prague of his last opera, “Armida.” Death in Prague on May 1. |
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Peter Jost (mws-henle.person.role.HERAUSGEBE)
Dr. Peter Jost, born in 1960 in Diefflen/Saar, read musicology, German and comparative studies at Saarland University in Saarbrücken. He did his PhD in 1988 with a thesis on Robert Schumann’s Waldszenen.
From November 1991 to April 2009 he was a research associate at the Richard Wagner Complete Edition in Munich, and since May 2009 has been an editor at G. Henle Publishers. His Urtext editions comprise predominantly French music of the 19th and 20th centuries, including works by Lalo, Saint-Saëns and Ravel.
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