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String Quartet a minor op. 41 Nr. 1
String Quartet F major op. 41 Nr. 2
String Quartet A major op. 41 Nr. 3

About the Composer

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Robert Schumann

Connected with his oeuvre is the term he coined, Poetic Music, with which he strove for a fusion of literature and music, a paradigm particularly seen in his lyric piano pieces prior to 1839. Thereafter he devoted himself to other genres (song, symphony, chamber music, among others).

1810Born in Zwickau on June 8, the son of a bookdealer.
from 1828Studies law in Leipzig, piano with Friedrich Wieck. Decision to pursue a career in music.
1830–39He exclusively composes piano works, mostly cycles, including “Papillons,” Op. 2 (1829–32); “Carnaval,” Op 9 (1834/35); “Davidsbündlertänze,” Op. 6 (1837); “Kinderszenen” (“Scenes from Childhood”), Op. 15 (1837/38); “Kreisleriana,” Op. 16 (1838); “Noveletten,” Op. 21 (1838).
1832A paralysis of a finger in his right hand makes a career as a pianist impossible. Founding in 1833 of the fantasy brotherhood the “Davidsbund” (“League of David”).
1835–44Editor of the Neue Zeitschrift für Musik (New Journal of Music).
1840Marriage to Clara Wieck; 138 songs, including the Eichendorff Liederkreis, Op. 39; the song cycle “Dichterliebe,” Op. 48
1841Symphony No. 1 in B-flat major (“Spring” Symphony), Op. 38, and Symphony No. 4 in D minor, Op. 120.
1842Three string quartets, Op. 41; further chamber music.
1843Teacher of composition at the Leipzig Conservatory. Oratorio “Paradise and the Peri,” Op. 50.
1845He settles in Dresden. Journey to Russia.
1845Piano Concerto in A minor, Op. 54, Symphony No. 2 in C major, Op. 61.
1850City music director in Düsseldorf. Premiere in Leipzig of his opera “Genoveva,” Op. 81. Symphony in E-flat major (“Rhenish”), Op. 97; Cello Concerto in A minor, Op. 129.
1853Beginning of his friendship with Brahms. Completion of the Scenes from Faust. Violin Concerto in D minor for Joseph Joachim.
1854Suicide attempt and admission to the psychiatric institution in Endenich, near Bonn.
1856Death in Endenich on July 29.

© 2003, 2010 Philipp Reclam jun. GmbH & Co. KG, Stuttgart

About the Authors

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Ernst Herttrich (Editor)

Dr. Ernst Herttrich, born in 1942 in Würzburg, read musicology, history, German and theology at the universities in Würzburg and Cologne. In 1970 he earned his doctorate in Würzburg with a study of the expression of melancholy in the music of Mozart.

From 1970 to 1990 he was an editor at G. Henle Publishers in Munich, after which he was Head of the Beethoven Complete Edition for over 15 years. In 1999 he took over as Head of the Beethoven-Haus Publishers, and from 2001 was made Head of the Beethoven-Archiv, the research centre at the Beethoven-Haus.

He has been a visiting professor at Meiji Gakuin University in Tokyo and has undertaken several lecture tours both there and to Kyoto. His research interests include source studies, editorial techniques and music history. Herttrich’s publications include “Beethoven. Liederkreis an die ferne Geliebte” (Bonn 1999) and “Ludwig van Beethoven. Biographie in Bildern” (Bonn, 2000). Herttrich has edited over 100 Urtext editions for G. Henle Publishers.

Product Safety Informations (GPSR)

G. Henle Verlag

Here you can find the information about the manufacturer of the product.

G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com

Sämtliche vorgestellten Ausgaben sind in der vom Henle-Verlag gewohnten sorgfältigen Weise in feinem Druckbild und praktikabler Anordnung hergestellt. Da es sich bei allen Werken um solche handelt, die nicht nur den ausübenden Profi-Musiker ansprechen, sondern auch von geschulten Laien spielbar sind, stellen sie für jeden Notenschrank einen echten Gewinn dar!

Correspondenz, 2016

Scholarly research has made this edition as accurate as possible. Henle, true to from, have provided beautifully printed parts with sensible page turns and a separate full score.

AUSTA Stringendo, 2015

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