Arnold Schönberg
Complete Piano Works
This volume brings together Schönberg’s complete works for piano solo, and thereby presents a wide span from the free atonal pieces of op. 11 to the aphoristic op. 19, the fascinating tone-row experiments of op. 23 to the dodecaphonically conceived works op. 25, 33a & 33b. Additionally, in the appendix, three pieces from 1894 by the twenty-year-old composer provide an astonishing insight into the late-romantic roots of the modern Schönberg. His compositional development can be easily traced in this edition, which incorporates all kinds of milestones of classical modernism alongside thrilling, trailblazing music. Anyone wanting to engage with Schönberg’s piano works should not miss this compendium!
About the Authors
Ulrich Krämer (Editor)
Dr. Ulrich Krämer, born in 1961 in Bielefeld, is Head of the Research Centre at the Arnold Schönberg Complete Edition in Berlin. He read musicology and German in Hamburg and Bloomington and wrote his doctoral thesis under the supervision of Rudolf Stephan on Alban Berg as a pupil of Arnold Schönberg.
In addition to his editorial work, he has been a lecturer at the Hochschule für Musik “Hanns Eisler” and at the Berlin University of the Arts, as well as “Visiting Scholar” at the Graduate Center at the City University New York. Alongside the volumes he has prepared for the Schönberg Complete Edition (including the score of the Gurre Lieder which was awarded the Deutsche Musikeditionspreis), his scholarly publications include editions of Alban Berg’s student compositions and Theodor W. Adorno’s compositions found in his estate, as well as essays and articles on Brahms, Berg, Schönberg, Ravel and Astor Piazzolla.
Norbert Müllemann (Editor)
Dr. Norbert Müllemann, born in 1976 in Cologne, studied musicology, German philology and philosophy at the University of Cologne whilst at the same time studying the piano at the Music Conservatory in Cologne.
In 2004 he began working at G. Henle Publishers as an intern. In 2005 he became a junior editor, whilst at the same time starting his doctorate at the Ludwig-Maximilians-Universität in Munich. He completed it in 2008 with a thesis entitled “Handschriften Frédéric Chopins bis 1830. Studien zur Authentizität, Datierung und Werkgenese”. Since 2008 Müllemann has been an editor at the publishing house, becoming editor-in-chief in 2017. He has edited numerous Urtext editions for the publisher with a particular focus on the works of Frédéric Chopin.
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