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Five Studies for Piano appendix Ia no. 1
I. Etude in f minor op. 25 no. 2 by Frédéric Chopin, arrangement for piano two hands
II. Rondo from Piano Sonata in C major op. 24 by Carl Maria von Weber, arrangement for piano two hands
III. Presto from the Sonata in G minor for solo violin (BWV 1001) by Johann Sebastian Bach, first arrangement for piano two hands
IV. Presto from the Sonata in G minor for solo violin (BWV 1001) by Johann Sebastian Bach, second arrangement for piano two hands
V. Chaconne from the Partita in d minor for solo violin (BWV 1004) by Johann Sebastian Bach, arrangement for the left hand alone
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About the Composer

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Johannes Brahms

His significant output comprises chamber music, piano works, numerous choral compositions and songs (including settings of folk-song lyrics), as well as large-scale orchestral works in the 1870s and 1880s. His compositions are characterized by the process of developing variation. He is considered an antithesis to the New German School around Liszt, and an advocate of “absolute” music.

1833Born in Hamburg on May 7, the son of a musician. His first piano instruction with Willibald Cossel at age seven, then with Eduard Marxen; first public performances from 1843.
1853Concert tour through German cities; he meets Schumann, who announces him as the next great composer in his essay “Neue Bahnen” (“New Paths”). A lifelong, intimate friendship develops with Clara Schumann.
1854–57Piano Concerto No. 1 in D minor, Op. 15.
1857–59Choir director, pianist, and teacher at the royal court in Detmold.
1859–61Director of the Hamburg Women’s Choir.
1860Manifesto against the New Germans around Liszt.
1863Cantata “Rinaldo,” Op. 50.
1863–64Director of the Wiener Singakademie.
1868Partial performance in Vienna of “A German Requiem,” Op. 45 (the complete work premiered in Leipzig in 1869)
1871–74Artistic director of the Gesellschaft der Musikfreunde (Society of Friends of Music) in Vienna.
1873Haydn Variations, Op. 56a, for orchestra.
from 1877His symphonic output begins with the Symphony No. 1 in C minor, Op. 68 (begun 1862); composition of the Symphony No. 2 in D major, Op. 73; the Symphony No. 3 in F major, Op. 90 (1883); and Symphony No. 4 in E minor, Op. 98 (1884–85): cantabile themes, chamber-music-like style.
from 1878Travels in Italy.
1878Violin Concerto in D major, Op. 77, for Joseph Joachim.
1881Piano Concerto No. 2 in B-flat major, Op. 83, with a scherzo movement.
1886Honorary president of Vienna’s Tonkünstlerverein (Association of Musicians).
1897Four Serious Songs, Op. 121. Dies in Vienna on April 3.

© 2003, 2010 Philipp Reclam jun. GmbH & Co. KG, Stuttgart

Der Notentext entspricht heutigen Standards; einzelne Aspekte wurden stillschweigend ergänzt, andere wiederum wie ursprünglich belassen. So erhält der Benutzer des Bandes einerseits ein vertrautes modernes Notenbild, das gleichzeitig auf die Schreibgewohnheiten des Komponisten Rücksicht nimmt. Dies unterstreicht u. a. den Charakter der JBG, der wissenschaftlich-kritische mit praktischen Kriterien in sich vereint. Die Edition vermittelt dank der akribischen Quellenarbeit der Herausgeberin Valerie Woodring Goertzen ein nachvollziehbares Bild von Brahms’ Schaffen auf dem Gebiet der Arrangements von Werken anderer Komponisten. Die umfassende Recherche, die sich auch in der klaren Gliederung und im Verhältnis der einzelnen Abschnitte des Bandes untereinander widerspiegelt, ermöglicht dem Benutzer einen leichten Zugang zum Notentext. Der stets nachvollziehbar dargestellte Umgang mit den Quellen lädt zudem ein, sich mit dem Hintergrund zur Entstehungs- und Rezeptionsgeschichte näher zu beschäftigen.

Die Tonkunst, 2019

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