Béla Bartók
Vol. 38 | Works for Piano 1914-1920
This volume contains some of Bartók's core piano works, among them the extremely popular Romanian Folk Dances that are known in various arrangements, the Suite op. 14 and the Sonatina. Several of these compositions are already available in single Urtext editons. This volume contains valuable additional information: The elaborate preface comments on the genesis of the works, their publication and public reception. The following chapter Notation and Performance refers to recordings and affords interesting insight into the composer’s own perception of tempo, phrasing and articulation in these works. The Critical Commentary minutely follows the steady development and consolidation of the compositions that were often created and revised over long periods of time; sketches and early versions are also commented upon. The folk tunes that some of the compositions are based on can be found in a separate appendix including English translations of the texts.
About the Composer
Béla Bartók
This composer, who numbers among the most important musical figures in the first half of the twentieth century, is known principally for his research into Hungarian folk music, the elements of which he incorporated into his style. His broad oeuvre includes numerous works for orchestra, piano, and chamber ensembles, as well as choral music; songs with piano accompaniment; and an opera.
| 1881 | Born in Nagyszentmiklós on March 25. First piano instruction from his mother. |
| 1893–ca. 1896 | Piano studies with László Erkel in Pressburg (Bratislava). |
| 1899–1903 | Studies piano and composition at the Budapest Academy of Music. Symphonic poem “Kossuth” in 1903. |
| from 1905 | Together with Zóltan Kodály he begins scientific field research into Hungarian folk music and thereby refutes conventional notions. He becomes acquainted with the music of Debussy. |
| 1905–07 | Suite No. 2, Op. 4, for small orchestra. |
| 1907–34 | Professor of piano in Budapest. |
| 1908–09 | “For Children,” 85 transcriptions of folk songs for piano, later only 79. |
| 1915–17 | String Quartet No. 2, Op. 17, with percussive playing techniques. |
| 1917 | Premiere of his ballet “The Wooden Prince.” |
| 1918 | Premiere of “Bluebeard’s Castle,” Op. 11 (composed 1911), partially based on the sounds of French music. |
| 1920 | Improvisations on Hungarian Peasant Songs, Op. 20. |
| 1926 | Performance of the pantomime “The Miraculous Mandarin.” Piano cycle “Out of Doors.” |
| 1926–39 | “Mikrokosmos” for piano (six volumes). |
| from 1934 | Editor of the complete edition of Hungarian folk music. |
| 1936 | Music for Strings, Percussion and Celesta as avant-garde work. |
| 1937–38 | Concerto (No. 2) for violin and orchestra. |
| 1940 | Emigrates to the United States. |
| 1945 | Piano Concerto No. 3; his concerto for viola remains unfinished. Death in New York on September 26. |
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