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Degré de difficulté (Explanation)
Autres titres du même degré de difficulté
Symphonie espagnole pour violon et orchestre ré mineur op. 21
8 difficile

CONCERNANT LE COMPOSITEUR

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Edouard Lalo

Compositeur français et violoniste. Sur le plan musical il se sentait proche des traditions allemandes, ce qui se reflète dans ses compositions. Ses œuvres témoignent également d’une prédilection pour le rythme et les éléments tirés du folklore. Son œuvre musicale comprend entre autres des concertos pour violon, des cycles de mélodies, des symphonies, des opéras et de la musique de chambre. Il était membre de la Société Nationale de Musique.

1823Né le 27 janvier à Lille.
à partir de 1833Il étudie le violon au conservatoire de Lille auprès de Joseph Müller et suit les cours de composition de Pierre Baumann.
vers 1839Il prend des cours privés de violon à Paris, entre autres chez François-Antoine Habeneck.
vers 1845Il devient l’élève de Julius Schulhoff et de Joseph-Eugène Crèvecœur.
1848Il fonde avec d’autres une association de musiciens politiquement engagée en faveur de la Révolution.
1849Il obtient un engagement à l’orchestre de l’Opéra-Comique.
1850Il joue sous la direction d’Hector Berlioz dans les concerts de la Grande Société Philharmonique.
1850–56Composition d’œuvres de musique de chambre dont 2 trios avec piano op. 7 et sans numéro d’opus et la Sonate pour violon et piano op. 12.
1856Débuts à Paris, le 30 janvier, du Quatuor Armingaud avec Lalo comme second violon.
1865Le 6 juillet il épouse en secondes noces l’altiste Julie Bernier de Maligny qui lui inspire la composition de mélodies.
1874Composition du Concerto pour violon n° 2 en Ré majeur op. 21 («Symphonie espagnole»), dédié à Pablo de Sarasate.
1878L’Institut de France lui confère les honneurs du Prix Chartier.
vers 1881Il compose le ballet «Namouna» qui lui avait été commandé.
1888Son opéra «Le roi d’Ys» est créé à Paris.
1892Il meurt le 23 avril à Paris.

About the Authors

Peter Jost (Editeur)

Dr. Peter Jost, born in 1960 in Diefflen/Saar, read musicology, German and comparative studies at Saarland University in Saarbrücken. He did his PhD in 1988 with a thesis on Robert Schumann’s Waldszenen.

From November 1991 to April 2009 he was a research associate at the Richard Wagner Complete Edition in Munich, and since May 2009 has been an editor at G. Henle Publishers. His Urtext editions comprise predominantly French music of the 19th and 20th centuries, including works by Lalo, Saint-Saëns and Ravel.

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Johannes Umbreit (Réduction pour piano)

Prof. Johannes Umbreit studied the piano at the Musikhochschule in Munich. From 1987 onwards he was a regular accompanist at courses given by Wolfgang Schneiderhan, Thomas Brandis, Ljerko Spiller, Igor Ozim, Olga Woitowa, Ernő Sebestyén, Walter Nothas, F. Andrejevsky, Denis Zsigmondy and Zakhar Bron amongst others. He has appeared in numerous radio and TV broadcasts and plays chamber music with members of the Bavarian State Orchestra, the Munich Philharmonic Orchestra and the Bavarian Radio Symphony Orchestra.

He is on the jury of different international competitions and has been invited to several international music festivals. Umbreit was a teacher for almost ten years at the Musikhochschule in Munich and at the same time a lecturer for chamber music and piano accompaniment at the Richard Strauss Conservatory. Since 2008 he has been a lecturer at the Hochschule für Musik und Theater München. As the long-serving managing director of the Richard-Strauss-Gesellschaft, he was made an honorary member of the board in 2009. In May 2011, the Bavarian Minister of Culture appointed Johannes Umbreit an honorary professor of the Hochschule für Musik und Theater München on the suggestion of its academic senate.

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Kurt Guntner (Doigtés violon)

Prof. Kurt Guntner was born in Munich on Mozart’s 183rd birthday. He studied the violin with Ludwig Ackermann, Max Rostal and Henryk Szeryng. At the age of 18, he made his solo debut in the Kongreßsaal at the German Museum in Munich, performing Beethoven’s Violin Concerto with the Munich Philharmonic Orchestra. At the age of 22 he was appointed first concertmaster with the Bavarian State Orchestra. After 10 eventful years at the Bavarian State Opera with conductors such as Ferenc Fricsay, Joseph Keilberth and Hans Knappertsbusch, Rudolf Kempe invited him to become the first concertmaster with the Munich Philharmonic Orchestra, giving him the opportunity to perform the violin solo in many of the great violin concertos.

Of particular appeal were the BR’s invitations to perform and record great violin concertos that were seldom played, including those by Casella, Schillings, Szymanowsky. Kurt Eichhorn initiated this series– Jan Koetsier, Marek Janowski and others conducted other concertos. Kurt Guntner was also first concertmaster with the Bayreuth Festival Orchestra for many years, and played with the Munich Bach Orchestra under Karl Richter, in the Association of Soloists in The Bach Week in Ansbach and with the Münchner Bachsolisten. In 1972 he founded the internationally acclaimed ODEON-TRIO, together with the cellist Angelica May and the pianist Leonard Hokanson, touring all over the world with them for 25 years. In 1976 Guntner was called to the tenured chair of violin at Munich’s Hochschule für Musik und Theater, teaching students from around the world for 28 years.

He made numerous recordings for radio, television, record and CD. Karl Schumann described Guntner’s broad musical personality thus: “Kurt Guntner is a practical orchestral musician, soloist, chamber musician and educator in one person”.

In 1997 Kurt Guntner was awarded the order of merit (first class) of the Federal Republic of Germany.

Kurt Guntner died on 9 January 2015 in Munich.

He was closely associated with G. Henle Publishers for several decades. Since the end of the 1980s he had produced numerous Urtext editions of works for violin for the publishing house, sharing pedagogically polished bowings and fingerings for different works including violin concertos by Bach, Haydn, Mozart, Bruch and Tchaikovsky, as well as numerous other editions.

As befits this publishing house, the piano reduction and solo violin part are carefully edited with attention to detail and phrasing and fingering suggestions are idiomatic.

Stringendo, 2003

The Symphonie Espagnole … is one of four major orchestral works. … This edition is a reduction for piano and violin and is based on an autographed copy dated the same year as the original orchestral version.

Sheet Music, 2002

Was die Ausgabe auf jeden Fall empfehlenswert macht, ist, daß die Fingersätze von Kurt Guntner auf sehr umsichtige Weise auf den heutigen Stand der Violintechnik gebracht wurden, wie sie sich seit Galamian & Co. weltweit durchgesetzt hat. Denn dieses Werk liegt so gut in der Hand, daß zumindest die ersten drei Sätze vom griffsicheren Liebhaber mit Genuß bewältigt werden können. Und den sollte man sich doch nicht entgehen lassen.

Das Liebhaberorchester, 2002

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