Gabriel Fauré

Élégie op. 24 for Violoncello and Piano

Jean-Christophe Monnier (校訂)

Pascal Rogé (運指)

David Geringas (チェロの運指とボーイング)

Urtext Edition, paperbound

Violoncello and Piano

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ページ数 16 (IV+8+4), 大きさ 23,5 x 31,0 cm

重さ 88 g

HN 563 · ISMN 979-0-2018-0563-4

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>However, Fauré gave up the sonata project, instead publishing the piece under the title “Élégie”. It was so successful that Fauré was urged by the publisher to write further pieces. The conductor Édouard Colonne commissioned a version of the “Élégie” for orchestra in 1895, which was premièred two years later. As usual, our Urtext edition contains both a marked and an unmarked solo part.

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Élégie op. 24

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作曲家について

Gabriel Fauré

Representative exponent of French music around 1900. His creative work is centered around the art song, piano music (nocturnes, barcarolles, impromptus, valse-caprice), and chamber music – alongside other genres.

1845	Born in Pamiers (Ariège) on May 12, the son of a primary school teacher.
1854–65	Attends the École de musique classique et religieuse (founded by L. Niedermeyer), where liturgical musicians were educated; lessons with Saint-Saëns (from 1861).
1866–70	Organist at the church of Saint-Sauveur in Rennes.
1871	After occupying various organist positions in Paris, he becomes assistant organist to Saint-Saëns at Saint-Sulpice. He numbers among the founding members of the Société nationale de musique. Performances of his works in their concerts.
1874	Premiere of his “Suite d’orchestre” in F major (“Symphony No. 1”), which is a compilation of existing pieces.
1875/76	Violin Sonata No. 1 in A major, Op. 13.
1876–79	Piano Quartet No. 1 in C minor, Op. 15
1877	Maître de chapelle at Paris’s Église de la Madeleine.
1876/78	Premiere of his choral work “Les Djinns,” Op. 12.
from 1879	Attends performances of Wagner’s music; in his own compositions he distances himself from Wagner.
1885	Premiere of his Symphony No. 2 in D minor, later destroyed.
1887/88	Requiem, Op. 48.
1891	“Cinq Mélodies ‘de Venise’,” Op. 58, on texts by Verlaine.
1892–94	“La bonne chanson,” Op. 61, on texts by Verlaine.
1896	Successor to Dubois at the Madeleine. He conducts a composition class at the Paris Conservatoire.
1900	Premiere of the tragédie lyrique “Prométhée,” Op. 82.
1905–20	Director of the Conservatoire.
1909	President of the Société musicale indépendante.
1913	Premiere in Monte Carlo of his opera “Pénélope.”
1919	Song cycle, “Mirages,” Op. 113, with clear features of his modernist late style.
1924	Death in Paris on November 4.