Joseph Haydn
Fantasia C major (Capriccio) Hob. XVII:4
When he switched from the harpsichord to the fortepiano in the 1780s, Joseph Haydn found he had a rich palette of sound colours and dynamic variations at his disposal, and he employed them enthusiastically in his C-major Fantasy. This piano piece, composed in early 1789 in a “whimsical hour”, was intended by Haydn to meet with approval from “both connoisseurs and amateurs” – not least because it is “not too difficult”. Christine Schornsheim provides historically accurate fingerings. This stand-alone edition follows the musical text of the Haydn Complete Edition, and provides an ideal means for players to get to grips with Haydn’s experiments with the sounds of the piano.
作曲家について
Joseph Haydn
His immense oeuvre documents the profound changes in music history during the second half of the eighteenth century, leading to the emancipation of instrumental music. His most important genres are the symphony and the string quartet, where he cultivated the technique of motivic-thematic development; he made significant contributions to the instrumental concerto and to piano music; during the last years of his life, he composed his great oratorios. Opera and art song take on a rather subordinate significance.
校訂者や運指担当者について
Sonja Gerlach (校訂)
Sonja Gerlach was born in Hannover in 1936. She did a secondary school teaching degree (Staatsexamen) in music and mathematics in Berlin. From 1965 to 1999 she was a research associate and editor at the Joseph Haydn-Institut in Cologne. In addition to her work as an editor and researcher she addressed questions concerning the chronology of Haydn’s symphonies. She is also very interested in problems of ascertaining authenticity of works in Haydn’s different genres.
In 2000 she retired and moved to Munich where she now lives.
Christine Schornsheim (運指)
製品安全に関する情報
G. Henle Verlag
製品の製造元に関する情報はこちらでご覧いただけます。G. Henle Verlag
Forstenrieder Allee 122
81476 München
info@henle.de
www.henle.com
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