Antonín Dvorák
Humoresque G flat major op. 101 no. 7
Many a pianist will be surprised to learn that Dvorák’s famous Humoresque no. 7 was originally a piano piece, since this irresistible melody - undoubtedly one of Dvorák’s happiest inspirations - has circulated throughout the musical world in innumerable arrangements for every conceivable combination. The composer himself, however, wrote only this piano solo version. The complete cycle of eight Humoresques is available in another Henle Urtext edition (HN 1044), while this “lollipop” of the eight is now available in a stand-alone edition. Not least because of its only moderate difficulty, it is a must for piano fans of all ages!
作曲家について
Antonín Dvorák
With Smetana he is the most famous Czech composer of the nineteenth century, contributing to the dissemination and appreciation of Czech music throughout the world. Among his around 200 works, encompassing all standard genres, are nine symphonies, fourteen string quartets, and twelve operas.
| 1841 | Born in Nelahozeves (Mühlhausen) on the Vltava River on September 8, the son of a butcher and innkeeper. |
| 1853 | Attends the training school in Zlonice; there he receives a comprehensive musical education from Josef Toman and the cantor Antonín Liehmann; subsequent education in Česká Kamenice (1856–57). |
| 1857–59 | Studies at the organ school in Prague. Until 1871 he will earn his living as a music teacher, organist, and violist. |
| 1861 | String Quintet No. 1 in A minor, considered his first work. |
| 1862 | Position as solo violist in the orchestra of the Bohemian Provisional Theater (conducted by Smetana, among others) |
| 1873 | Breakthrough with the premiere in Prague of his patriotic hymn “The Heirs of the White Mountain,” Op. 30. Employment at the private Prague School of Music. Several state scholarships. |
| 1874–77 | Organist at St. Adalbert church. |
| from 1876 | “Moravian Duets,” Opp. 20, 29, 32, and 38 (1876–77), “Slavonic Rhapsodies,” Op. 45 and the first series of “Slavonic Dances,” Op. 46 (both from 1878) enjoy great success. His fame abroad grows. |
| 1882 | Premiere of the opera “Dimitrij”, in the tradition of grand opera. |
| 1884 | First invitation to England, after which eight more will follow. |
| 1886 | Premiere of his oratorio “Saint Ludmila,” Op. 71. |
| 1891 | Professor of composition at the Prague Conservatory. |
| 1891–95 | Director of the National Conservatory of Music in New York. |
| 1893 | Premiere in New York of Symphony No. 9, “From the New World,” Op. 95 (American folkloric elements, cyclic techniques). |
| 1901 | Premiere in Prague of his most famous opera, “Rusalka.” |
| 1904 | Premiere in Prague of his last opera, “Armida.” Death in Prague on May 1. |
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