Georg Friedrich Händel
Nine German Arias for Soprano, Solo Instrument and Basso continuo
Urtext Edition, paperbound
Voice and miscellaneous instruments
Original keys for high voicecontains a score both with and without a realization of the figured bass, the solo instrument part and the bass line without numbers
ページ数 118 (IX+41+29+27+12),
大きさ 21,0 x 29,7 cm
重さ 430 g
HN 968
·
ISMN 979-0-2018-0968-7
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Georg Friedrich Händel
He numbers among the most important composers of Italian operas and is a major proponent of the oratorio; his immense oeuvre also comprises concerti grossi and solo concertos, liturgical music, chamber music, and music for keyboard instruments. He worked in London.
| 1685 | Born in Halle (Saale) on February 23. |
| 1702 | Organist at the Palace Cathedral in Halle. |
| 1703 | Employed as a violinist, later as a harpsichordist, at the Oper am Gänsemarkt in Hamburg; premiere in 1705 of the opera “Der in Krohnen erlangte Glücks-Wechsel, oder: Almira, Königin von Castilien” (“The Change of Fortune Won in Crowns, or: Almira, Queen of Castile”). |
| 1706–10 | Stay in Italy, with opera performances. |
| 1710 | Employed as music director by the Elector of Hanover. The 1711 London premiere of “Rinaldo” is a great success. In 1712, he will travel once more to London, where he will remain for the rest of his life. |
| from 1720 | Important position at the Royal Academy of Music, which he founded in 1717. |
| from 1724 | Successful premieres of “Giulio Cesare in Egitto,” “Tamerlano,” “Rodelinda” in 1725, and “Alessandro” in 1726. |
| 1728 | After the dissolution of the Royal Academy of Music, Handel continues to lead his own company. |
| 1733 | Competition from the Nobility Opera, which is supported by the aristocracy. Premiere of “Orlando.” |
| 1734 | Engagement of a French ballet troupe to outdo the Nobility Opera. Integration of French elements into his own operas. |
| from 1735 | Premiere of “Alcina,” “Giustino” in 1737, “Serse” in 1738 (containing the famous largo “Ombra mai fù”). |
| 1736 | Three “Water Music Suites,” HWV 348–350. |
| 1739 | Twelve “Concerti grossi,” Op. 6, after Corelli’s example. |
| 1741 | Unsuccessful premiere of the melodrama “Deidamia”. From then on, composition of oratorios, including “Messiah” (1741), “Judas Maccabaeus” (1746), and “Jephtha” (1751). |
| 1749 | “Music for the Royal Fireworks,” HWV 351. |
| 1759 | Death in London on April 14. |
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G. Henle Verlag
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