Maurice Ravel
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作曲家について
Maurice Ravel
Together with Satie and Debussy, Ravel numbers among the innovators who had a falling out with academic education and created their own avant-garde tonal languages – inspired, in Ravel’s case, by Russian and Spanish music, but also by exoticism – without abandoning tonality. This master of orchestration begins with piano works, which he orchestrates; songs with piano and piano compositions exist on an equal footing in orchestral versions.
1875 | Born in Ciboure on March 7; the family moves to Paris that same year. |
1882 | Lessons in piano, theory, and composition. |
1889 | Beginning of his studies at the Conservatoire de Paris, from which he will never graduate.around 1893 Influence of Chabrier and Satie. |
1901 | “Jeux d’eau” for piano, in a new “Impressionist” tonal language, as is “Miroirs” (1904–05). |
1903 | “Shéhérazade” for voice and piano/orchestral accompaniment with orientalist tonal elements. |
1905 | Scandal surrounding Ravel’s third application for the Prix de Rome. |
1907 | Premiere of the “Histoires naturelles” after Jules Renard provokes astonishment in audiences and critics. |
1907–08 | Rhapsodie espagnole for orchestra. |
1908/10 | “Ma mère l’oye” (“Mother Goose”) for piano, four-hands, as a ballet in 1911. |
1911 | Premiere in Paris of his opera “L’Heure espagnole.” |
1911/12 | “Valses nobles et sentimentales” for piano/orchestra. Premiere of the ballet “Daphnis et Chloé” in 1912. |
1914/19 | “Le tombeau de Couperin” for piano/orchestra anticipates the coming neoclassicism. |
from 1920 | Many concert tours through Europe and the United States. |
1925 | Premiere of his opera “L’Enfant et les sortilèges.” |
1928 | Conferral of an honorary doctorate from Oxford University. “Bolero” for orchestra. |
1929–31 | Piano Concerto in G major with elements of jazz. |
1937 | Death in Paris on December 28. |
校訂者や運指担当者について
Pascal Rogé (運指)
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