Joseph Haydn
Piano Sonata E flat major Hob. XVI:52
Among Haydn’s piano sonatas, the great Sonata in E-flat-major is particularly popular. It was composed in 1794 during Haydn’s second stay in London where he became acquainted with the new English fortepiano and its fuller sound, pedals, and larger range. These new sound possibilities may have inspired the composer to write a noticeably fuller, chordal texture in the first two movements. Closely linked to G. Henle Publishers through numerous collaborative projects on Bach and Mozart, András Schiff was engaged to provide fingerings for this exceptional work in Urtext.
内容/詳細
作曲家について

Joseph Haydn
His immense oeuvre documents the profound changes in music history during the second half of the eighteenth century, leading to the emancipation of instrumental music. His most important genres are the symphony and the string quartet, where he cultivated the technique of motivic-thematic development; he made significant contributions to the instrumental concerto and to piano music; during the last years of his life, he composed his great oratorios. Opera and art song take on a rather subordinate significance.
校訂者や運指担当者について

Georg Feder (校訂)
From 1957 to 1992 Feder worked at the Joseph Haydn-Institut, and was Head of Research there for thirty years. One of the foremost Haydn scholars of his time and an undisputed authority in the field of music philology, he greatly shaped the work of the Institute, especially its work on the Haydn Complete Edition, making a significant contribution towards its global reputation.
54 volumes of the Complete Edition were published unde

András Schiff (運指)
» Biography
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