Ludwig van Beethoven
Piano Sonata no. 29 B flat major op. 106 (Hammerklavier)
Beethoven allegedly told his publisher Artaria, in connection with this Sonata, that “Here you have a sonata that will be a hard nut to crack”. Indeed, the enormous dimensions of the work, which was sketched in 1817 and completed in late 1818 or early 1819 and has nearly 1,200 measures, together with its numerous musical and technical challenges, long made it seem unplayable, and even today it is still considered a major challenge for concert pianists. The piece owes its nickname to the title of the original German edition, “Grosse Sonate für das Hammer-Klavier”, since Beethoven had been wanting since 1817 to Germanize the term “pianoforte” for the printing of his piano sonatas.Read more about this edition in the Henle Blog
作曲家について
Ludwig van Beethoven
No composer has had as profound and sustained an influence on immediately following generations to the present day as Beethoven. His instrumental music, especially his symphonies, served as touchstones for symphonic composition throughout the nineteenth century. The extraordinarily high standard of his music and his relative independence as a freelance composer have led to his being characterized as the greatest composer of all time.
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