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Schwanenlied op. 1,1
Wanderlied op. 1,2
Warum sind denn die Rosen so blass? op. 1,3
Maienlied op. 1,4
Morgenständchen op. 1,5
Gondellied op. 1,6
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作曲家について

Fanny Hensel

This composer and pianist left behind a substantial oeuvre of around 460 compositions, predominantly songs and compositions for piano as well as several works of chamber music, choral music, cantatas, and an overture. Within the private milieu of the salons held in her parents’ home, she performed (and conducted) her compositions herself; they are in no way inferior to those of her brother Felix Mendelssohn Bartholdy.

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校訂者や運指担当者について

Annette Oppermann (校訂)

Dr. Annette Oppermann, born in 1965, trained as a music dealer in Frankfurt am Main and studied historical and systematic musicology as well as modern German literature at Hamburg University.

From 1993 to 1996 she worked as an editor for Sony Classical International in Hamburg; from 1996 to 1999 she was a doctoral candidate in the postgraduate programme Textkritik at the Ludwig-Maximilians-Universität in Munich, in January 2000 she earned her doctorate with a dissertation on “Musikalische Klassikerausgaben” (Hans-Joachim Marx, Hamburg). From 2000 to 2008 she worked as a research associate at the Joseph Haydn-Institut in Cologne, and was editor of the Oratorio “Die Schöpfung” in the Complete Edition of Joseph Haydn’s Works. Since February 2008 she has been an editor at G. Henle Publishers
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製品安全に関する情報

G. Henle Verlag

製品の製造元に関する情報はこちらでご覧いただけます。

G. Henle Verlag
Forstenrieder Allee 122
81476 München
info@henle.de
www.henle.com

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