Ignaz Pleyel
Six easy Duets “op. 48” for two Violins
These easy duets were published around 1796/97 by Pleyel’s own publishing house both as Six Duos faciles et progressives for two violins and as Six nouvelles Sonatines progressives for piano and violin, though we do not know today which version came first. To this day, the violin duets are favorites for use in violin lessons, but also for making music at home.Though lesser known today, around 1800 Ignaz Pleyel numbered among the most popular composers in Western Europe – which may at first come as a surprise, but which to judge from these very appealing pieces, manageable for advanced beginners, is easily understandable. With an unmarked score and two marked solo parts, the Urtext edition provides optimal material for use in teaching.
内容/詳細
作曲家について
Ignaz Pleyel
A composer, piano builder, and music publisher. With his 41 symphonies, around 80 string quartets, six symphonies concertantes, piano trios, and two operas (among other works) he left behind an extensive oeuvre. During his lifetime he made a name for himself as a music publisher, while the innovative instruments of the Pleyel piano manufacturing company were valued by figures such as Chopin and Rossini.
1757 | Born in Ruppersthal near Vienna on June 18. He received his earliest musical education in Vienna from Johann Baptist Vanhal. |
around 1772 | Count Ladislaus Erdődy provides financial patronage for five years of study with Joseph Haydn, as well as for lodging in Haydn’s home. An amicable relationship develops between Haydn and Pleyel. |
around 1780 | He tours through Italy. For King Ferdinand IV of Naples he composes works for lira organizzata. |
1785 | On May 30, his opera “Ifigenia in Aulide” is premiered at the Teatro di San Carlo in Naples. He becomes music director at Strasbourg Cathedral. |
1787–95 | Most of his works are composed in Strasbourg. With the music director of the Temple Neuf, Johann Philipp Schönfeld, he inaugurates the Concerts Pleyel-Schönfeld. |
1791–92 | Following the invitation of Wilhelm Cramer to go to London, he becomes director of the Professional Concerts there. This enables performance of twelve of his own symphonies. |
after 1796 | He founds a music publishing house in Paris with his brother-in-law Jean-Daniel Schäffer, and publishes some 4,000 works by important contemporaries such as Ludwig van Beethoven, Joseph Haydn, and Muzio Clementi. |
1807 | He founds the piano manufacturer Pleyel et Cie. |
1824 | His son Camille takes over the company. |
1831 | Dies in Paris on November 14. |
校訂者や運指担当者について
Norbert Gertsch (校訂)
Dr. Norbert Gertsch, born in 1967 in Rheinkamp/Moers, studied piano solo at the Mozarteum in Salzburg and read musicology and philosophy at the Paris Lodron University in Salzburg and the Ruperto Carola University Heidelberg on a scholarship from the “Studienstiftung des Deutschen Volkes”. In 1996 he wrote his doctoral thesis on Ludwig van Beethoven’s Missa solemnis (as part of the New Complete Edition) under Ludwig Finscher.
In the following year, he began to work at G. Henle Publishers, initially as an editor for electronic publishing. After working on a two-year project (1999–2000) sponsored by the German Research Foundation (DFG) preparing a new Beethoven Catalogue of Works, he became a scholarly editor at G. Henle Publishers. In 2003 he became Editor-in-Chief, in 2009 Deputy Managing Director and Head of Publishing. As of 1 January 2024, the Executive Board of the Günter Henle Foundation has appointed Dr. Norbert Gertsch, as the new managing director, succeeding Dr. Wolf-Dieter Seiffert.
Gertsch has published many Urtext editions for G. Henle Publishers, including volumes for a new edition of Beethoven’s Piano Sonatas together with Murray Perahia.
製品安全に関する情報
G. Henle Verlag
製品の製造元に関する情報はこちらでご覧いただけます。G. Henle Verlag
Forstenrieder Allee 122
81476 München
info@henle.de
www.henle.com
Pleyels „leichte Duos in aufsteigender Schwierigkeit“ von 1796/97 sind Klassiker des musikpädagogisch wertvollen Repertoires. Umso erfreulicher ist es, mit welcher Sorgfalt sie hier mit kritischem Bericht einerseits editorisch ernst genommen werden (im Partiturdruck), andererseits mit Fingersätzen und Strichbezeichnungen von Evelyne Grüb-Trauer für den praktischen Gebrauch zubereitet sind (in den beigegebenen Einzelstimmen).
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