Max Reger
Three Suites op. 131c for Violoncello solo
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作曲家について
Max Reger
Late-Romantic composer who combines a chromatic tonal language with Baroque and Classical forms, thus anticipating 1920s neoclassicism.
| 1873 | Born in Brand (Upper Palatinate) on March 19, the son of a teacher. First piano lessons from his mother. |
| 1888 | After a visit to Bayreuth (for Meistersinger and Parsifal), decides on a career in music. |
| 1890–93 | Studies with Hugo Riemann at the conservatory in Wiesbaden, composes chamber works. Thereafter he endeavors to publish his own works as a freelance composer, albeit with multiple failures. |
| 1898 | Return to his parents’ home in Weiden. Composition of organ works: choral fantasies, “Fantasy and Fugue on B-A-C-H,” Op. 46 (1900); Symphonic Fantasy and Fugue (“Inferno”), Op. 57. |
| 1901–07 | Living in Munich. |
| 1903 | Publication of his “On the Theory of Modulation,” causing Riemann to feel attacked because Reger espouses a different understanding of the role of chromatics. “Variations and Fugue on an Original Theme,” Op. 73. |
| 1904 | Breakthrough with his first performance for the Allgemeine Deutsche Musikverein (General German Music Association). First volume of his “Simple Songs” for voice and piano, Op. 76; String Quartet in D minor, Op. 74, one of the most significant works in that genre at the beginning of the century. |
| From 1905 | Instructor at Munich’s Academy of Music. “Sinfonietta” in A major, Op. 90. |
| 1907–11 | Music director and professor of composition at the University of Leipzig. Orchestral work “Variations and Fugue on a Theme by Hiller,” Op. 100. |
| 1909 | “The 100th Psalm,” Op. 106, his most popular choral work. |
| 1911–14 | Director of the royal court orchestra of Saxe-Meiningen. |
| 1912 | “Concerto in the Old Style,” Op. 123. Orchestral song “An die Hoffnung” (“To Hope”), Op. 124. |
| 1913 | “Four Tone Poems after A. Böcklin” for large orchestra, Op. 128; “A Ballet Suite,” Op. 130. |
| 1914 | “Variations and Fugue on a Theme by Mozart,” Op. 132 |
| 1915 | He resides in Jena. Late compositions. |
| 1916 | Death in Leipzig on May 11. |
校訂者や運指担当者について
Wolf-Dieter Seiffert (校訂)
Dr. Wolf-Dieter Seiffert, born in 1959 in Frankfurt/M., read musicology, modern German literature, and philosophy at the Ludwig-Maximilians-Universität in Munich. On a scholarship from the “Studienstiftung des Deutschen Volkes”, he did his doctorate in 1990 with a thesis on “Mozarts frühe Streichquartette” (Rudolf Bockholdt). That same year, Seiffert started work at G. Henle Publishers as an editor. Parallel to his work at the publisher, he completed a diploma in business studies at the St. Gallen University, KMU-HSG, financed by the Günter Henle Foundation. Seiffert became managing director of G. Henle Verlag in 2000.
Seiffert has edited numerous Urtext editions for G. Henle Publishers, predominantly on Mozart’s works.
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