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Trois Pièces pour le Grand Orgue

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César Franck

Famous organist and composer who exerted a lasting influence on French music of the fin-de-siècle both through his works and especially as a teacher.

1822Born in Liège on December 10.
1831Instruction in piano, organ, and composition at the Royal Conservatory of Liège.
1835First stay in Paris, lessons with Reicha, among others.
1837–42Studies at the Conservatoire de Paris.
1839–42“3 Trios concertants,” Op. 1, in the first of which he employs the cyclic technique typical both of his later works and of French symphonic music of the 1880s.
1843Concert tour through Belgium and Germany.
1845Premiere of his oratorio “Ruth.”
1847He becomes organist at Notre-Dame-de-Lorette
1852–70He teaches at various institutions.
from 1857Organist at Sainte-Clotilde, location of one of the famous Cavaillé Coll organs. Composition of sacred works; 1856–65, “6 Pièces” for organ.
1861Member of the Société académique de musique sacrée (Academic Sacred Music Society).
1869–79Composes oratorio “Les Béatitudes.”
1871Founding member of the Société nationale de musique.
1872Teaches an organ class at the Conservatoire. Among his most famous pupils are Duparc, Chausson, and d’Indy, whose Course in Musical Composition (1906) is based on Franck’s compositional and formal principles.
1881–88Genesis of the symphonic poems “Le Chasseur maudit” (“The Accursed Huntsman”), “Les Djinns,” “Psyché.”
1878Premiere of his “3 Pièces pour le Grand Orgue” in the monumental style.
1886Violin Sonata in A major; president of the Société nationale de musique.
1886–88Symphony in D minor, one of the most formative works of French symphonic music of the age.
1890Death in Paris on November 8.
1894Posthumous premiere in Monte Carlo of his opera “Hulda.”

© 2003, 2010 Philipp Reclam jun. GmbH & Co. KG, Stuttgart

Klare Empfehlung.

Kirchenmusik im Bistum Trier, 2014

De partituur leest vlot en bevat in hoofdzaak de originele Franse toevoegingen, waardoor het notenbeeld gelukkig gevrijwaard is van overtollige vertalingen.

Orgelkunst, 2011

Insgesamt eine sehr empfehlenswerte Edition.

Singende Kirche, 2009

Der Notentext ist einwandfrei, das Stichbild – wie immer bei Henle – perfekt.

Kirchenmusikalische Mitteilungen, 2009

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