Georg Philipp Telemann

Viola Concerto G major

Phillip Schmidt (校訂)

Wolfgang Kostujak (ピアノ・スコア)

Kai Köpp (ヴィオラの運指とボーイング, Notes on performance practice)

Piano reduction, Urtext Edition, paperbound

Viola Concertos

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ページ数 38 (VII+19+6+6), 大きさ 23,5 x 31,0 cm

重さ 194 g

HN 1217 · ISMN 979-0-2018-1217-5

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Viola Concerto G major

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作曲家について

Georg Philipp Telemann

One of the leading German composers of his day, particularly as regards his German-language operas as well. Also from his pen came an extremely large number of liturgical works (especially cantatas), which came about within the context of his appointments and the compositional duties associated with them.

1681	Born in Magdeburg on March 14.
1701–05	He studies law in Leipzig, but is active as a singer, librettist, and composer at the opera, and after 1702, also as its music director. He writes music for the St. Thomas Church and St. Nicholas Church. Founds a student Collegium Musicum.
1704	Organist and music director at the New Church.
1705–08	Court musical director in Sorau.
1708–12	Music director in Eisenach; composition of liturgical cantatas, masses, as well as other sacred and secular vocal works, instrumental concerti, and sonatas.
1712–21	City music director of Frankfurt am Main; composition of liturgical music and music director at the Church of the Discalced and the St. Catherine Church; reestablishment of the Collegium Musicum of the Frauenstein Society and thus the beginning of regular concert life in Frankfurt am Main.
1716	Premiere in Frankfurt of his Brockes Passion.
1721	Premiere in Hamburg of the opera “Der geduldige Socrates.” He becomes cantor at the Johanneum Latin school and music director of the city of Hamburg. The five main churches of Hamburg were thus under his musical direction. Composition of church cantatas, secular cantatas, “Captain’s Music,” instrumental music; establishment of a Collegium Musicum.
1722	He assumes the musical directorship of the Oper am Gänsemarkt (until 1738) and composes a large number of theatrical works for Hamburg.
1725	Premiere of the intermezzo “Die ungleiche Heirath oder das herrsch-süchtige Cammer-Mädgen” (‘Pimpinone’), which is still his most well-known work for the stage.
1728	Premiere of “Die Last-tragende Liebe oder Emma und Eginhard,” the most important of his surviving Hamburg operas.
after 1755	Composition of vocal works in collaboration with various poets.
1767	Death in Hamburg on June 25.