Robert Schumann
Abegg Variations op. 1
Who was “Pauline, Countess of Abegg”, the dedicatee of the first edition? Nowadays it is known that the matter revolves around a romantic mystification of the name of Meta Abegg, a friend from Schumann’s youth, whose surname inspired Schumann to a theme on A-B-E-G-G (a-hb-e-g-g). The “rewarding and sparkling piece” – as it was described by a critic of the time – makes high technical demands, but is distinguished by a youthful freshness and ingenious virtuosity.With this work (the first, incidentally, that Schumann deemed worthy of publication), Henle has issued a good third of Schumann’s piano works in revised versions that take account of the current state of research. The thoroughly-revised musical text is complemented by an informative preface and detailed commentary.
About the Composer
Robert Schumann
Connected with his oeuvre is the term he coined, Poetic Music, with which he strove for a fusion of literature and music, a paradigm particularly seen in his lyric piano pieces prior to 1839. Thereafter he devoted himself to other genres (song, symphony, chamber music, among others).
About the Authors
Ernst Herttrich (Editor)
From 1970 to 1990 he was an editor at G. Henle Publishers in Munich, after which he was Head of the Beethoven Complete Edition for over 15 years. In 1999 he took over as Head of the Beethoven-Haus Publishers, and from 2001 was made Head of the Beethoven-Archiv, the research centre at the Beethoven-Haus.
He has been a visiting professor at Meiji Gakuin University in Tokyo and has undertaken several lecture tours both there and to Kyoto. His research interests include source studies, editorial techniques and music history. Herttrich’s publicat
Walther Lampe (Fingering)
He first appeared as a concert pianist, but in 1920 was appointed as a professor and head of a class at the Münchener Akademie der Tonkunst. After Lampe was given emeritus status in 1937, he took on a piano class at the Mozarteum in Salzburg. Günter Henle, who grew up in Munich, was a private pupil of Lampe’s, from the age of 15 (in 1914). In his autobiography he wrote of his piano teacher in the following glowing terms:
“The years in which Walther Lampe, the renowned pianist and Head of piano master-clas
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Further editions of this title
Further editions of this title
