Johann Sebastian Bach
Notebook for Anna Magdalena Bach
Bach gave his wife Anna Magdalena two handwritten books of music. The second one is of particular value with its gilt-edged, vellum-covered binding. In this little book of 1725 he noted down numerous piano works in the most different styles – both his own and by other composers. The Henle Urtext edition, which incidentally is one of our bestselling titles, faithfully reproduces the complete contents of this manuscript, aside from the movements from the “French Suites” (HN 593) and “Partitas” (HN 28) in the notebook, which can be found elsewhere in the Henle catalogue. It is also an example of beautiful engraving by hand.
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About the Composer
Johann Sebastian Bach
For many musicians he is “the Alpha and Omega of all music” (Max Reger). Except for operas, Bach composed masterpieces for every ensemble and genre of his age. His catalogue of works contains almost 1,100 entries, including the great Passions of St. Matthew and St. Johan, the Goldberg Variations, the Brandenburg Concerti, or hundreds of singular cantatas. As organist in Mühlhausen and Weimar he creates primarily organ compositions, concerti, and works of chamber music. Later, as music director in Köthen and for the decades he serves as cantor in Leipzig, he composes chiefly sacred vocal compositions and keyboard works. His later, contrapuntally complex compositions exert an enormous influence on the compositional styles and practices of later generations.
About the Authors
Ernst-Günter Heinemann (Editor)
Dr. Ernst-Günter Heinemann, born in 1945 in Bad Marienberg (Westerwald), completed his schooling in Gießen and read musicology, philosophy and German in Marburg and Frankfurt/Main and also for some time Protestant church music. He did his doctorate on “Franz Liszts geistliche Musik. Zum Konflikt von Kunst und Engagement”.
From 1978–2010 Heinemann worked as an editor at G. Henle Publishers (in 1978 in Duisburg, from 1979 onwards in Munich). He edited a great many Urtext editions for the publishing house, including “Das Wohltemperierte Klavier”, Volume 1 by Bach and all of Debussy’s piano works. In addition, he wrote essays on Debussy, Grieg, Liszt, Mendelssohn and questions concerning general editing, as well as giving seminars on editorial practice for musicology students in Munich.
Hans-Martin Theopold (Fingering)
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G. Henle Verlag
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Further editions of this title
Further editions of this title