Max Reger
Serenades op. 77a and op. 141a for Flute (Violin), Violin and Viola
“It is quite clear to me what is missing from today’s music: a Mozart!” With his trios which he consciously kept in a classical manner, Reger hoped to prove the contrary to the “ignorant people”, who for their part accused him of “a lack of feeling” and being too “complicated”. The instrumentation for his serenades op. 77a and 141a is rather distinctive: he omits the lower registers, opting for the bright tones of the flute, violin and viola to outline joyful musical figures and catchy melodies. Reger’s own style cannot however be mistaken. These two serenades, which are technically not overly demanding, are not only suited for concert performances but also offer a welcome change for those engaging in spontaneous chamber music.
About the Composer
Max Reger
Late-Romantic composer who combines a chromatic tonal language with Baroque and Classical forms, thus anticipating 1920s neoclassicism.
About the Authors
Michael Kube (Editor)
Dr. Michael Kube, born in 1968 in Kiel, studied musicology (with Friedhelm Krummacher and Heinrich W. Schwab), the history of art and ethnology at the Christian-Albrechts-Universität zu Kiel. Since 1998 he has been a research associate at the New Schubert Edition (Tübingen) and since autumn 2002 also a member of the editorial board.
Kube is on the panels of different juries and music prizes, and is also a member of the Committee for work evaluation (Werkprüfungsausschuss) of VG Music Edition. His research interests include music for keyboard instruments around 1700, 19th century chamber music, early 20th century music history, as well as Scandinavian music history.
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