Claude Debussy
The Little Negro
Debussy occasionally reacted to musical trends in his compositions, as was the case with American ragtime. Aside from Golliwogg’s Cakewalk, in Children’s Corner (HN 382), The little Negro is even today a standard piece in modern crossover orientated piano teaching. Debussy did actually compose the piece for a piano method, namely that of Théodore Lack, published in 1909. In 1934 the publishing house Leduc produced a single version, in which measures 22 to 54 are repeated, unlike in the first edition. The piece is not particularly difficult and is very effective.
About the Composer
Claude Debussy
Most important French composer around 1900, whose music, primarily characterized by its sound, exhibits profound innovations. His oeuvre bears a close relationship to Symbolism.
About the Authors
Ernst-Günter Heinemann (Editor)
Dr. Ernst-Günter Heinemann, born in 1945 in Bad Marienberg (Westerwald), completed his schooling in Gießen and read musicology, philosophy and German in Marburg and Frankfurt/Main and also for some time Protestant church music. He did his doctorate on “Franz Liszts geistliche Musik. Zum Konflikt von Kunst und Engagement”.
From 1978–2010 Heinemann worked as an editor at G. Henle Publishers (in 1978 in Duisburg, from 1979 onwards in Munich). He edited a great many Urtext editions for the publishing house, including “Das Wohltemperierte Klavier”, Volume 1 by Bach and all of Debussy’s piano works. In addition, he wrote essays on Debussy, Grieg, Liszt, Mendelssohn and questions concerning general editing, as well as giving seminars on editorial practice for musicology students in Munich.
Hans-Martin Theopold (Fingering)
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Further editions of this title
Further editions of this title
